Werckmeister Harmonies

Werckmeister Harmonies (pronounced [verkˈmaɪ̯stɐ]; Hungarian: Werckmeister harmóniák) is a 2000 Hungarian drama mystery film directed by Béla Tarr and Ágnes Hranitzky, based on the 1989 novel The Melancholy of Resistance by László Krasznahorkai. Shot in black-and-white and composed of thirty-nine languidly paced shots, the film shows János and his uncle György during the communist Hungarian era. It also shows their journey among helpless citizens as a dark circus comes to town casting an eclipse over their lives.
The title refers to the baroque musical theorist Andreas Werckmeister. György Eszter, a major character in the film, gives a monologue propounding a theory that Werckmeister’s harmonic principles are responsible for aesthetic and philosophical problems in all music since, and need to be undone by a new theory of tuning and harmony.
Werckmeister Harmonies opened to wide acclaim from film critics, and is often listed among the major cinematic works of the 21st century.

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